Our characters evolve in a tragic setting where their personal stories and the history of Rome itself reach a breaking point. Ancient Latin theatre was multifaceted, and referred to Roman historical tragedies as fabula praetexta. According to the classical scheme, these plays consisted of five acts, with a build-up to the climax, a gradation towards the denouement of Fate.


Where the guests and participants of the Imperial banquet gather. Where old friends and foes meet. Where the essence of the Roman spirit is expressed in orgy and decadence. Where participants take the measure of their characters and their place in the dramaturgy.

Atmosphere of the act: Henry Purcell, Fairy Queen, Z 629, Symphony (Act 4)

ACT I. Mater Patriæ - Mother of the Homeland

The grandeur of the Empire shines on every face and warms every heart. An act where the dream of the Empress brightens the destiny of Rome. Where each of the characters starts the journey that will lead him/her/them to his/her/their destiny, yet where the future still seems bright for all.

Atmosphere of the act: Antonín Dvořák, Symphony No. 9 in E minor, From the New World, Op. 95, B. 178, Finale: Allegro con fuoco

ACT II. Dies Iræ - Day of Wrath

An act where political and interpersonal tensions and divisions come to the fore. Where characters are gradually becoming aware of the inescapability of the fate written by the gods. Where arguments, conspiracies, threats, and dangers lurk in every corner. Day of anger, day of tears and of terrors.

Atmosphere of the act: Giuseppe Verdi, Messa da Requiem, IGV 24, Dies iræ, Libera me

ACT III. At spes non fracta - But hope is not lost

This is the moment when hope dies, the moment when tensions seem to temporarily subside. Where anger finds solace in the dreamed escape from one’s fate. Where the characters find in the excesses and fulfilment of their desires the momentary oblivion of the fate that awaits them.

Atmosphere of the act: Bedřich Smetana, The Moldau (Vltava)


Where the different protagonists abandon themselves to the inevitability of their fate. Where the destinies are fulfilled and where the drama takes place. It can only end in blood and tears. Such is the will of the all too human gods of Rome.

Atmosphere of the act: Richard Wagner, Der Ring des Nibelungen. Dritter Tag: Götterdammerung, WWV 86D, Act III, Trauermarsch (Siegfried’s Funeral March)